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Sunday, 13 July 2014

Martin Fuggles

My latest guest to be washed ashore on a lonely island in the sea is the legendary Ricky Tick DJ, Martin Fuggles.

In May 1962 Martin Fuggles cut his DJ teeth at The Carlton Ballroom, Slough when Lou Preagar, dance band leader and the owner, asked him to take on the second half of the ‘Sunday Marathon’ as the afternoon DJ, Phil Jay, had another commitment in Hounslow in the evenings. Then in April 1965 he took a significant pay cut (from £3 to £1 a night!) to make the prestigious move to the Ricky Tick.

From its early beginnings in a dark and smoky back room at the Star and Garter in Windsor (where a then unknown band called the Rolling Stones played many times in late 1962 and 1963), the Ricky Tick became an iconic part of the rhythm & blues and mod scene in the mid-60s. 

In April 1964 the club moved to Clewer Mead, the ‘jewel in the crown’ - a big, rambling mansion by the river on the outskirts of Windsor. It was renowned for its unique décor – black walls with large white faces in outline – and was one of the places to go, drawing audiences from many miles away. It even had its own boutique known as the Boutick!



All the top British rhythm and blues acts appeared at the Ricky Tick including (in no particular order) Cyril Davies, Alexis Korner, John Mayall’s Blues Breakers, Georgie Fame and the Blue Flames, The Yardbirds, Graham Bond, The Stormsville Shakers, Brian Auger, Geno Washington and the Ram Jam Band, Moody Blues, Ronnie Jones and the Nightimers, Manfred Mann, Cliff Bennett and the Rebel Rousers, Zoot Money, Herbie Goins, Downliners Sect, Chris Farlowe, Jimmy James and The Vagabonds, Spencer Davies, The Animals, The Action, Alan Price, Shotgun Express, Amboy Dukes and The Who.



Many American guests also appeared including Stevie Wonder, Ben E King, Rufus Thomas, Lee Dorsey, Arthur Alexander, Lou Johnson, Solomon Burke, Patti LaBelle and her Belles, Clarence “Frogman” Henry, Larry Williams with Johnny Guitar Watson, Goldie and the Gingerbreads, Screaming Jay Hawkins, Inez and Charlie Foxx, John Lee Hooker, Sonny Boy Williamson, Memphis Slim, Little Walter, Sister Rosetta Tharpe, Jimmy Reed, Howling Wolf, Roy C, Prince Buster – and even the Rock n Roll legends, Bill Haley and his Comets and Jerry Lee Lewis.

Martin mainly played at the Ricky Tick ‘HQ’ at Clewer Mead then at The Thames Hotel but he also appeared at other Ricky Tick venues in the Home Counties. Martin retired in July 1967 when the Ricky Tick closed and his records were left to gather dust.

After meeting Paul ‘Smiler’ Anderson a couple of years earlier to provide some input to his excellent book, "Mods: The New Religion" which was published recently, Martin finally gave in to Paul’s persistence and powers of persuasion and agreed to make a guest appearance at a Ricky Tick Special Club Rude! on February 17th 2011. After a couple of records Martin felt like he’d gone back in time... although the idea of cueing in records was an alien concept! 

Having got a taste for it again, he now gets behind the turntables whenever he can playing the very same records that he played back in the 60s at the Ricky Tick. He can be heard at various Old Soul and Motown Nights and Ricky Tick revival events.

The Crickets - That'll Be The Day

“In the 4th and 5th year at senior school (years 10 and 11 in new money, I think) I sat next to John Eyre in Geography. This was quite an honour and privilege as John was one of the ‘In crowd’ that nearly everyone else looked up to while I was the youngest in the year. One day he sat there tapping the desk and ‘singing’ That’ll be the Day. I went out and bought the record on the strength of that! So began my adulation of Buddy Holly and the Crickets. 


Interestingly Buddy’s name did not appear on the label of the record although Peggy Sue in his name was out at the same time. John and I went to see them at the Kilburn Gaumont State on March 2nd 1958. Still the best concert I’ve ever been to although recent Impressions gigs have run it very close.”

The Impressions - It's Alright


“To me this record is the epitome of the Ricky Tick. Curtis Mayfield and the Impressions at their very best although there were a lot of other great records by them that I used to play and I’ve Been Trying runs it very close. 

A year or so before I came out of retirement, Smiler had persuaded me to go along to a Club Rude! night to meet Brian Lovegrove who used to go to the Ricky Tick back in the day. Brian started to tell me about the records that I had in effect introduced him to and this was the first one he mentioned. It just had to be the first record I played when I started again on that fateful day and I now nearly always open one of my sets with it.”

Major Lance - Sweet Music


“I often used to play Major Lance’s Um Um Um Um Um Um (no British covers for me!) at the Ricky Tick. One evening a guy called Ray Isaacs (although everyone knew him as George) asked me to play the other side. I loved it from the first hearing and still do. 

I still haven’t worked out what some of the words are! Does it matter? No, of course it doesn’t. It’s just a great track. Sweet music indeed!”

Ace Spectrum - Don't Send Nobody Else


“Since I retired in 1967 a lot seems to have happened in the music scene including something called Northern Soul. As part of my voyage of discovery of what happened since,  Brian and I went on a Soul Cruise with our other halves last year.

Apart from a few early Motown tracks I didn’t recognise most of the tunes that were played although I was very surprised to hear Wooly Bully by Sam the Sham and the Pharohs and Out of Time by Chris Farlowe. Ricky Tick tracks certainly but Northern Soul? They certainly got a reaction on the dance floor. 

There was one other track that I heard 2 or 3 times that caught my attention – this one. It took a bit of detective work to find out what it was then I had to resort to eBay to get a copy from the States... the only record I bought last year, but I’m glad I did!”

Beth Neilsen Chapman - All I Have


“And now for something completely different! 

For several years during the late 90's and early 00's I used to have a 40+ mile drive to work. I often used to listen to Terry Wogan in the mornings mainly to hear what interesting names he and his correspondents could come up with. He and his producer, Paulie Walters would occasionally play an interesting record and then I heard this one. 

Such a melodic song and meaningful lyrics. More country than anything else but for me there’s something soulful in her voice. I’ve since seen Beth in concert several times and never been disappointed. 

A perfect song to close your eyes and listen to on a deserted island!”

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You will be wanting to experience the sounds of the Ricky Tick - on vinyl - for yourself, won't you ?

So check out Martin's site for the dates of his Soul & Motown Nights and Ricky Tick Revivals with a click on the banner below :


You can also hear Martin guesting on Peter Sinacola's excellent Night Train Show on Soulstice Radio : 

Why not join Martin with Peter Sinacola and Paul Anderson at the Night Train Road Show : 


Now read all about Martin, the Ricky Tick, the music and the faces in Paul Anderson's classic mod bible...  'Mods : The New Religion'


Available now at Amazon, Waterstones and all good booksellers.
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Tuesday, 17 June 2014

Guida de Palma


I am honoured to have washed ashore on a lonely island in the sea, Singer, Songwriter and Tonmeister, Guida de Palma as my latest guest castaway.
Portuguese born, and classically trained Guida de Palma was only sixteen when bass legend and fallen angel Jaco Pastorius hopped on stage to join her during her very first gigs in Paris. Blessed by this almost divine collaboration, Guida went on singing her way onto various stages across Europe. With her crew of Latin Funketeers, she played support to such top performers as Cab Calloway, Defunkt and Gilberto Gil.


Freshly arrived in the UK, Guida featured on the British Electric Foundation's 'Music Of Quality And Distinction' album alongside prestigious names like Tina Turner, Terence Trent d’Arby, Lala Hathaway and Chaka Khan.

She also joined Californian sax player Ronnie Laws for his European tour, culminating in Montreux Jazz Festival’s rapturous closing night.

Also involved in production, Guida, a certified sound engineer, assisted legendary producer Juni Morrison of P Funk and Ohio Players fame in recording tracks with George Clinton. After working with Dodge City Production, DJ Dorfmeister, Dzihan & Kamien, DJ Disciple and Boyz from Brazil, Guida has evolved from a pure live performance mindset to one of club culture.

Besides her commitment to Jazzinho, Guida also has sung in other bands like Da Lata. She is also the featured vocalist on numerous other albums including Nathan Haynes and Kyoto Jazz Massive. 

Jazzinho (which means “sweet little jazz”) is a mix of Soul, Jazz and Bossa Nova. It is Guida's musical persona.  "A part of me is the vocalist Guida de Palma, another part is the musician interested in production, arrangements and that’s my band: Jazzinho. Guida de Palma exists on her own. Jazzinho is the collective part of my work, my team."

Guida’s first album 'Jazzinho', released in 2003, is a fusion of jazz, Brazilian, '70s FM soul, and any other sound that evokes the image of congas and sequins. Guida produced much of this album with her husband, Stephan Chalangea, joined by Da Lata mastermind Chris Franck, who wrote several of the songs.

The second album, 'Atlas' was released on Adrian Gibson’s label Freestyle in 2006 and produced in London by Ed Motta. Alongside Jazzinho, the list of special guests features seventies legends like vocalist guitarist Hamish Stuart of Average White Band fame, analogue keyboard wizard Max Middleton from the Jeff Beck Band and Free Jazz flugelhorn veteran Harry Beckett. The album also features a remix by Nicola Conte.

Their latest album is 'Veludo' a blend of bossa and samba infused sounds that are both introspective and joyfully outgoing. The first track, 'A Seed In You', was an instant hit with Jazz FM in the UK and features Guida duetting with soul legend Leon Ware... a big fan of Jazzinho and sparked their collaboration which ws released in advance of the rest of the completed project. 'Veludo' is a compact collection of eight enticing original compositions firmly rooted in the traditions of Brazilian music sung in both English and Portuguese with musicians who have played extensively with names like Clapton, Winehouse, Incognito and the Brand New Heavies. The second track from the album,'Abraço da Bossa' has been remixed by Bluey, the man behind Incognito and has just been included on the recently released box set 'Brazil Beats'.


Otis Redding - Try A Little Tenderness

"This was part of my dad's vinyl collection. He made us 'feel' what he sang. Later on it made me reflect on the importance of the interpretation, the 'living' the lyrics, the building the vocal delivery of a song."

Djavan - Faltando Um Pedaço

"As a young adult I was a huge fan. I still am. This particular song is one about love, passion and pain. I saw him live trying to sing it and weeping each time he tried. It took him three times to finally manage to sing it and the entire crowd wept with him. Powerful and moving."

Archie Shepp -Steam

"My introduction to Jazz came with Archie Shepp and 'Steam', the studio version by Joe Lee Wilson off the album 'Attica Blues'. Hauntingly beautiful strings and a poignant message."

Joyce - Feminina

"This is a wicked song by Brazilian musician Joyce. She's plays a mean guitar and sings effortlessly. It talks about a slice of life in a day of a woman."

Chaka Khan - Be Bop Medley

"Of course, Chaka Khan, 'Be Bop Medley'. This blew me away! Her powerful vocals blowing like a horn section! Produced by Arif Mardin !"


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If you haven't heard 'Veludo', then do yourself a favour and order a copy now. 


Available as a download, a CD or 180 grams audophile vinyl LP... click on one of the links below :




You want to keep updated on Guida de Palma and Jazzinho, right ? Then follow the link below to the website :





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Friday, 30 May 2014

Joe Leavy

Washed ashore on a lonely island in the sea is my latest guest, a guy named Joe... acclaimed singer, songwriter and producer Joe Leavy.
Joe is a self-proclaimed romantic with a high regard for love and a huge passion for music.

Internationally influenced in his music, for more than 10 years, the San Diego native worked overseas playing in popular clubs and hot spots throughout East Asia and Japan. He left Music altogether in 2004 and returned to the United States with three kids and his lovely wife.

Needing to earn a living for his family, Joe moved to California and opened his construction company, 
creating a lifestyle more conducive to focusing on his wife and children.

Eight years later 'the itch' returned and Joe went into his home studio and started writing. What came out of that writing was the now critically acclaimed 'A Guy Named Joe Leavy' project. 

Joe's musical influences include legendary ‘classic’ artists : Sam Cooke, Frank Sinatra, Mel Torme, Ella Fitzgerald, Sarah Vaughn and Donny Hathaway. “They sang music that is timeless that we still listen to today”

Bill Withers - Lovely Day

I asked Joe if this song had some particular significance or meaning in his life. 

"Absolutely" he replied, "Been married 20 years and she still does it for me... Bill Withers says it perfectly."

Sam Cooke - A Change Is Gonna Come

"A passionate plea for patience. As a black man growing up in America this song speaks to my life and hope for better days to come."

Nat King Cole - Mona Lisa

"My all time favorite male voice is Nat King Cole... the finest Male vocal performance on a record period !"

Donny Hathaway - A Song For You

'A Song For You' has been recorded by many different artists, but (in my opinion) sounds so much more touching when sung by Donny Hathaway, so I asked Joe his reasons for choosing this one.

"You just said it !" He replied. "In my mind there is only one record worth talking about: Donny Hathaway!  Certain artists you leave alone: Donny, Stevie, Marvin, Aretha, Whitney, Michael... you leave them be !  'The Untouchables' "

Michael Jackson - Got To Be There

"The greatest kid recording of all time... along with 'I Want You Back' and 'Never Can Say Goodbye'  one of three by Young MJ, the greatest child recording artist ever.

10 year old Michael was one in a billion vocally."

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Joe is working on two new singles right now and has the Robert Brookins Tribute Show on June 14th.  He's touring with Club Nouveau July 9th - 11th,  then he's off to Japan July 17th - August 4th for Live PA's and five shows and then opens for Angie Stone on August 25th.

'A Guy Named Joe Leavy' : SoulTrack.com Critics Choice Best Albums Of 2013 is available on Amazon, CD Baby and iTunes... click on the cover below to link.


Following on from the huge success of ‘Sweet Heaven’ with the legendary Timmy Thomas that was released earlier this year, Tom Glide is now bringing us another assured hit with ‘Party People’, this time featuring the sublimely smooth vocals of Joe Leavy... click on the cover below to link.




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Wednesday, 23 April 2014

Preston Glass

Washed ashore on a lonely island in the sea is my latest guest castaway, the celebrated songwriter and producer Preston Glass.

Preston's list of achievements is breathtaking. Five time BMI award winner, he has written thirty Top10 R&B Hits and ten Top10 Pop Hits. These include: 'Miss You Like Crazy' by Natalie Cole, 'We Don't Have To Take Our Clothes Off' by Jermaine Stewart and 'Who's Zoomin' Who?' by Aretha Franklin.
Among his many production credits are a #1 hit single for Earth, Wind & Fire with 'System Of Survival', a UK #1 hit single for Michelle Gayle with 'Sweetness' and Kenny G's worldwide hit single 'Don't Make Me Wait For Love'.
There are many, many other artists he has written and produced for... and here are just some of them: 
Whitney Houston, Mase, Stanley Jordan, Lionel Richie, Jennifer Holiday, Johnny Mathis, Michael Bolton, Dionne Warwick, Johnny Gill, Patti Austin, Kathy Sledge, The Delfonics, The Temptations, Diana Ross, George Benson, Phyllis Hyman, SoulDecision, Deniece Williams, Starpoint, Philip Bailey, Anita Pointer, Valeria, Lenny Williams, Stacy Lattisaw, Angela Bofill, June Pointer, Larry Graham, Carl Carlton, Margie Joseph, Evelyn "Champagne" King, Tag Team, Ronnie Spector, Narada Michael Walden, George Howard, Pieces of a Dream, The Stylistics, Dee Dee Bridgewater, Ben E. King, Brian Culbertson, J. Friends, The Dells, Norman Connors, Jermaine Jackson, Cyndi Lauper, Kirk Whalum, Jellybean Benitez, Brenda Holloway, Ali Woodson, Imagination, The Dramatics, Alfonzo Blackwell, Freda Payne, The Natural Four, Cindy Herron, Rebbie Jackson, Jaki Graham and Shades of Lace.
Preston has released four solo albums : 'Street Corner Prophesy' in 2006, 'Music As Medicine' in 2008, 'Colors Of Life' in 2010 and 'Elevator Speech' in 2013.

A new solo album is scheduled for release on May 14, 2014.

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James Brown – I Got You (I Feel Good)
'I Got You (I Feel Good)' recorded and released as a single in 1965, was James Brown's highest charting song peaking at number three. 

The song remained at the top of the Billboard R&B Singles chart for six non-consecutive weeks and is arguably his most widely known recording.
“At an early age it impressed upon me the importance of a groove and an attitude in the recordings”.

The Beatles – Yesterday



A song originally recorded by the Beatles in 1965. Although credited to Lennon and McCartney, the song was written solely by Paul McCartney. It remains popular today and is one of the most covered songs in the history of recorded music. 

Yesterday' was voted the No. 1 Pop song of all time by MTV and by Rolling Stone magazine. In 1997, the song was inducted into the Grammy Hall of Fame. BMI asserts that it was performed over seven million times in the 20th century alone.
“I was struck by the sheer profound, yet simple beauty of this song/recording”.
Sly & The Family Stone – Everyday People


'Everyday People' was the first single by the band to go to number one on the Soul singles chart and the U.S. Billboard Hot 100 chart. As with most of Sly & the Family Stone's songs, Sly Stone was credited as the sole songwriter.
Bassist Larry Graham contends that the track featured the first instance of the 'slap bass' technique, which would become a staple of funk and other genres.
“How a message song can be so melodically happy, accessible, soulful and wide-reaching.”
The Stylistics – Betcha By Golly, Wow
'Betcha By Golly, Wow' is a song written by Thom Bell and Linda Creed that was originally recorded by Connie Stevens as "Keep Growing Strong" on the Bell Records label in 1970, but the composition scored a hit when it was released by Philadelphia soul group The Stylistics in 1972.
It was the third track from their 1971 debut self-titled album and was released as a single in 1972, reaching #3 on the U.S. Billboard Hot 100 chart. It sold over one million copies globally, earning the band a gold disc.
“The Stylistics' 'Betcha By Golly, Wow' was the start of my appreciation for Thom Bell as a writer/producer/arranger, and for the whole Philly sound thing”.
The Four Tops – Reach Out I'll Be There
Written and produced by Motown's main production team Holland–Dozier–Holland, the song is one of the most well-known Motown tunes of the 1960s and is today considered The Tops' signature song. It was #1 on the R&B charts and on the Billboard Hot 100.
Rolling Stone included this on their list of 500 Greatest Songs of All Time.
“The Four Tops just reached out and grabbed me POW!!!”
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Keep up to date with Preston Glass and find details of his new album release on May 14 by following him using the facebook link below:

Tuesday, 11 March 2014

Paul Homer

My latest guest to be washed ashore on a lonely island in the sea is Sussex based DJ and Radio Presenter, Paul Homer.
Originally a collector of Ska, Rocksteady & Boss Reggae, it was Paul's passion for the music that led him into becoming a DJ, combining with fellow enthusiast Mark Howard to form 'Ska-Beat-Soul'.
 

After the first set in April in the home city of Chichester, other gigs soon followed: Supporting top acts such as The Lee Thompson Ska Orchestra and The Beat, playing festivals such as 'The Great Skinhead Reunion' and 'Ska Aid' and a regular residency at Woodies in Chichester.
 

Paul & Mark now present 'Ska-Beat-Soul' as a weekly radio show on ChiSoul Radio playing the best in 60's Ska, Rocksteady & Skinhead Reggae, all on 100% heavyweight vinyl !

Nat King Cole - Unforgettable


“Unforgettable, that’s what you are……”

When trying to think of where to start on this journey of 5 tracks, I was trying to think of the song or artist that may have somehow subliminally gave me my musical addiction as a child. My parents, although not musical (in any way!) always listened to “proper music”. There was always Soul (Otis & Aretha especially) playing somewhere in the house. If Soul had a day off, it was bands like Led Zeppelin, The Who, Small Faces that took its place 

So why Nat King Cole? My Dad NEVER sang. Ever. The only time I caught him singing was to this song in the car when I was about 8. I saw him quietly singing in the rear view mirror when he didn’t think anyone was watching.  So this song will always remind me of him.

Ian Dury & The Blockheads - Plaistow Patricia

“Ar*eholes, Ba*tards, Fu**ing Cu*ts & Pr*cks!” 

I was 16. I had just found the best band in the world – Madness. I was buying their records and playing them in my bedroom every day. My Uncle Dave came round a few days later with a few albums under his arm & pulled me to one side. “If you like Madness, have a listen to these; but when you get to this one (pointing at an album with a photo of a 'raspberry' and a kid outside an underwear shop) for christ’s sake keep the volume down or your dad will kill me!” 

I can’t remember the other albums he gave me, other than Patti Smyth 'Wild Horses' and probably now my favourite album of all time – 'New Boots & Panties' by Ian Dury & the Blockheads. 

As you can imagine - straight upstairs, straight on to the rude lyrics – loved it ever since!

Andy & Joey - You're Wondering Now

“You're wondering now, what to do, now you know this is the end
You're wondering how, you will pay, for the way you did behave”

For the next couple of years, I completely immersed myself in 2-Tone. My bedroom was suddenly covered in old Specials tour posters, magazine cuttings etc. 

Then my Mum bought home a CD called “One Original Step Beyond, the Story of Ska”. At no point did anyone tell me that these songs I’d fallen in love with weren’t original!!! The Maytals, Prince Buster, Desmond Dekker, The Ethiopians - I couldn’t take it all in! This really was the “life changing moment” when it comes to where I am today in terms of music. 

The reason I chose this tune in particular is because as soon as I heard The Specials were reforming in 2009, I dragged my heavily pregnant partner to Brixton Academy so that my future son would be there to hear it! I played this song to him (through Caroline’s tummy) all the way up in the car!

The Exciters - Blowing Up My Mind



“Dynamite & Nitro-Glycerine 
are like a firecracker compared to you…..”


By the time I reached 18, I was a staunch 'Trojan Skinhead' with scooter, sideburns & my Dad’s workboots! No other music was going to dilute my ears, other than Ska & it’s various off-shoots. Going to various scooter rallies and 'do’s', I was constantly annoyed by these 'Northern Soul' tracks that really didn’t do anything for me at all. 

At a local do, a mate of mine who was DJ'ing made a bet with me. “If you don’t like the next song I play, I’ll never play another Northern Soul song in front of you again!” I don’t think it was even half-way through before I was up on the dancefloor! 

I chose this song as influential, just because it constantly reminds me that other music is out there & if I don’t like it now, I might like it later!

Clancy Eccles - Feel The Rhythm


“If you try to reach the top, they will want to see you drop….”

I’ve been playing & collecting Ska, Rocksteady and Boss Reggae now for around 20 years but have only taken up DJ'ing in the last year or so. Thanks to the support of some fantastic friends and family, I’ve been fortunate enough to support some of the acts that I grew up listening to all those years ago at the beginning of my love affair with this type of music which just blows my mind every time! 


My son is now four years old & we literally can’t go anywhere in the car without him demanding I put this track on and we sing it at the top of our voices! It gets me every time that while his mates are discovering One Direction and 'Gangnam style', he’s asking for an obscure Rocksteady tune that’s about 45 years old! 

The other reason for choosing this tune is because Caroline bought me the original Doctor Bird 45 for my birthday, but it didn’t arrive in time, so she drew the actual single with crayon, put it in a cardboard mailer (with stiffeners!) just so I had something to open on my birthday... and that’s why I love them both so much!

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Catch up with Paul's music on these sites :

https://www.facebook.com/skabeatsoul

http://www.mixcloud.com/paul-homer
http://www.chisoulradio.com/ 


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